


On this she had not bargained But she was like some missionary dancing to the beat of some Man's ancient drum And she tries hard Still the same old story What price glory You make it easy In the still of the night In the still of the night How still my love In the still of the night How still Whoa, are the children, are they hopelessly enchanted?Īre the children, are they hopelessly enchanted?īlame it on my wild heart (Baby, baby, baby, baby) There is a reason why even the angels don't give it up at all That's where I needed you (Where I needed you) Well, believe it then, and don't blame it on my soul

You say not even you can tear us apart, whoa And went on to have very successful solo careers.In dark sorrow, they gaze down into the darkest heart This was Henley’s first hit after leaving the Eagles and the same with Nicks’ after Fleetwood Mac. All in all, it was an unforgettable experience, as was he. Don and I had been going out for quite awhile, and, bless his heart, he did sing it with me, and again, as fate would have it, it became one of the most special love songs that I would ever write… and remains that, even today, after all these years. After all the work I had put into the philosophy of two people dealing with this problem, I told Waylon that only 4 people in this world could sing this song: he and his wife, or myself and Don Henley. And then I found out that Waylon and Jessi were breaking up, and Waylon wanted to just sing it by himself. When it was finally finished, Don and I made a very simple demo of it – he sang it with me, and it was truly wonderful. Don Henley was pretty much responsible for this song because he came over every day and told me to either start over, or that I was on the right track, and he made me finish it (because I almost gave up many times). It’s probably the hardest thing in the world to do because it falls out of your hands and into the hands of the world, which tends to want you to not be able to handle it. “I wrote this song because Waylon Jennings called me up and asked me to write a song called ‘Leather and Lace.’ It was to be a duet for him and his wife (Jessi Colter), and I worked very hard trying to explain what it was like to be in love with someone in the same business, and how to approach dealing with each other. In the liner notes to her TimeSpace record, Stevie revealed:
